Born in Belfast in 1939, he was educated at the Royal Belfast Academical Institution and Trinity College Dublin. He worked as a teacher, and served as Director of Literature and Traditional Arts for the Arts Council of Northern Ireland from 1970 to 1991 and holds honorary doctorates from Queen’s University Belfast (1995) and Trinity College Dublin (1999). His books of poetry include No Continuing City (1969), An Exploded View (1973), Man lying on a Wall (1976), The Echo Gate (1979), The Ghost Orchid (1995), which was short-listed for the T.S. Eliot Award. Gorse Fires won the Whitbread Poetry Prize in 1991, and The Weather in Japan won the Irish Times Literature Prize for Poetry, the Hawthornden Prize and the T.S. Eliot Prize in 2001. More recent publications include Snow Water (2004) and Collected Poems (2007). He published an autobiographical work, Tuppeny Stung, in 1994, and has edited selections of poems by Louis MacNeice and W.R. Rodgers.
Other awards include the Irish-American Cultural Institute Award and the Eric Gregory Award, which he shared with Derek Mahon in 1965. In 2001 he was awarded the Queen’s Gold Medal for Poetry. He is a fellow of the Royal Society of Literature, a member of Aosdána and the American Academy of Arts and Sciences and was Ireland’s Professor of Poetry, 2007-2010.
Selected Poems
The Linen Industry (Click to view)
Pulling up flax after the blue flowers have fallen
And laying our handfuls in the peaty water
To rot those grasses to the bone, or building stooks
That recall the skirts of an invisible dancer,
We become a part of the linen industry
And follow its processes to the grubby town
Where fields are compacted into window-boxes
And there is little room among the big machines.
But even in our attic under the skylight
We make love on a bleach green, the whole meadow
Draped with material turning white in the sun
As though snow reluctant to melt were our attire.
What’s passion but a battering of stubborn stalks,
Then a gentle combing out of fibres like hair
And a weaving of these into christening robes,
Into garments for a marriage or funeral?
Since it’s like a bereavement once the labour’s done
To find ourselves last workers in a dying trade,
Let flax be our matchmaker, our undertaker,
The provider of sheets for whatever the bed –
And be shy of your breasts in the presence of death,
Say that you look more beautiful in linen
Wearing white petticoats, the bow on your bodice
A butterfly attending the embroidered flowers.
Michael Longley
Ceasefire (Click to view)
I
Put in mind of his own father and moved to tears
Achilles took him by the hand and pushed the old king
Gently away, but Priam curled up at his feet and
Wept with him until their sadness filled the building.
II
Taking Hector’s corpse into his own hands Achilles
Made sure it was washed and, for the old king’s sake,
Laid out in uniform, ready for Priam to carry
Wrapped like a present home to Troy at daybreak.
III
When they had eaten together, it pleased them both
To stare at each other’s beauty as lovers might,
Achilles built like a god, Priam good-looking still
And full of conversation, who earlier had sighed:
IV
‘I get down on my knees and do what must be done
And kiss Achilles’ hand, the killer of my son.’
Michael Longley
The Leveret (Click to view)
for my grandson, Benjamin
This is your first night in Carrigskeewaun.
The Owennadornaun is so full of rain
You arrived in Paddy Morrison’s tractor,
A bumpy approach in your father’s arms
To the cottage where, all of one year ago,
You were conceived, a fire-seed in the hearth.
Did you hear the wind in the fluffy chimney?
Do you hear the wind tonight, and the rain
And a shore bird calling from the mussel reefs?
Tomorrow I’ll introduce you to the sea,
Little hoplite. Have you been missing it?
I’ll park your chariot by the otters’ rock
And carry you over seaweed to the sea.
There’s a tufted duck on David’s lake
With her sootfall of hatchlings, pompoms
A day old and already learning to dive.
We may meet the stoat near the erratic
Boulder, a shrew in his mouth, or the merlin
Meadow-pipit-hunting. But don’t be afraid.
The leveret breakfasts under the fuchsia
Every morning, and we shall be watching.
I have picked wild flowers for you, scabious
And centaury in a jam-jar of water
That will bend and magnify the daylight.
This is your first night in Carrigskeewaun.
Michael Longley
The Linen Industry, Ceasefire, The Leveret from Collected Poems (2007) by Michael Longley published by Jonathan Cape. Used by permission of The Random House Group Limited:http://www.randomhouse.co.uk.